Task 2 to be uploaded ready to view Jan 23rd

I want you to choose an already made sound cut up of 20 seconds, or a new one that you have made and to add found images to the cut up. The found images need to to work visually together and chosen with affective montage in mind.

Vertov:

Montage means organizing film fragments (shots) into a film-object. It means writing something cinematic with the recorded shots. It does not mean selecting the fragments for “scenes” (the theatrical bias) or for titles (the literary bias).

archive

You can use still or moving image. A resource that can be utilised for this is Archive.org

Within this archive are a large range of resources under a variety of categories. It doesn’t matter which categories you draw from for your piece.

Experimental Narratives Task 1 Week 1 Jan 9th 2014

I want you to make a 20 second sound cut up, you can experiment with words and paper first to see what happens. Record what happens visually, get some newspapers, magazines, book and have a go.

I want you to devise a way of doing something similar with digitally recorded sound. I don’t want you to record sound but to use found sound. Use some recording from the news, from a topical news story on any particular day.

How might you do this as randomly as possible? Listen to Burroughs describe how they used the sound cut up techniques using early tape reel to reel recorders. What did they do? Perhaps some of this translates to a digital form of cut up?

Notice that he mentions this cut up process as analagous to painters, visual artists making use of montage.
In week two after hearing your efforts we will be looking at Montage.

To digitally cut up sounds you can use a free tool called Audacity which is cross platform. You can capture sound from your pc or laptop or from your phone, it doesn’t matter.

Audacity together with tutorials can be found at: Audacity

Steve Reich the experimental composer.

See above Steve Reich “its gonna rain”

An example of a tape sound cut up done in the style of Steve Reich the experimental composer.

The experimenter says:

“Let the Music Play” is a digital composition/sound experiment that uses classic tape-looping techniques in the tradition of Steve Reich and other 1960’s experimental composers. All the sounds you hear are derived from manipulations of the single phrase, “Let the music play,” which was recorded randomly from an FM radio. No other tracks or recordings have been used. Check out Reich’s, “Come out,” or, “It’s Gonna Rain,” for a better idea of how this technique originated.

Samuel Beckett’s Not I performance piece by Billy Whitehall 1973